<?xml version="1.0"?>
<rss version="2.0">
<channel>
<title>Reso Hangout - Building, Setup, and Repair Forum Feed</title>
<link>http://www.resohangout.com</link>
<description>Reso Hangout - Building, Setup, and Repair Forum Feed</description>
<language>en-us</language>
<pubDate>Wed, 8 Feb 2012 13:07:00 CST</pubDate>
<lastBuildDate>Wed, 8 Feb 2012 13:07:00 CST</lastBuildDate>
<webMaster>eric@resohangout.com</webMaster>

<item>
<title>muted tone</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26361</link>
<description>&lt;p&gt;
	Yesterday I put on my blog the issue I was having with my Regal dobro. &amp;nbsp;The better player I become the more I can hear when an expected tone is off. &amp;nbsp;My dobro instructor and I both have noticed that the bass side of my instrument, especially the low G has sounded muted. &amp;nbsp;I installed new strings, checked the cone and spider and took it back to the repair shop where I had my pickup installed. &amp;nbsp;No change in the muted tone. &amp;nbsp;I sent e-mails to Beard (no reply) and read information from Stewart MacDonald (very good information) and still could not find the problem. &amp;nbsp;Took the instrument to another local luthier just minutes from the office and within just a few minutes of hearing the sound Linda London knew what the problem was. &amp;nbsp;It was the size and angle of the slot where the G string sits on the nut. &amp;nbsp;A small file and a few strokes later and my dobro sounds much better. &amp;nbsp;This is another reminder to listen to those repair folk who have 40 plus years of repair experience. &amp;nbsp;No wonder folks from all over send their instruments to London, in Lincoln, NE. &amp;nbsp;Thanks Linda. &amp;nbsp;BRUCE&lt;/p&gt;
</description>
<pubDate>Wed, 8 Feb 2012 13:07:59 CST</pubDate>

</item><item>
<title>muted tone</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26360</link>
<description>&lt;p&gt;
	Yesterday I put on my blog the issue I was having with my Regal dobro. &amp;nbsp;The better player I become the more I can hear when an expected tone is off. &amp;nbsp;My dobro instructor and I both have noticed that the bass side of my instrument, especially the low G has sounded muted. &amp;nbsp;I installed new strings, checked the cone and spider and took it back to the repair shop where I had my pickup installed. &amp;nbsp;No change in the muted tone. &amp;nbsp;I sent e-mails to Beard (no reply) and read information from Stewart MacDonald (very good information) and still could not find the problem. &amp;nbsp;Took the instrument to another local luthier just minutes from the office and within just a few minutes of hearing the sound Linda London knew what the problem was. &amp;nbsp;It was the size and angle of the slot where the G string sits on the nut. &amp;nbsp;A small file and a few strokes later and my dobro sounds much better. &amp;nbsp;This is another reminder to listen to those repair folk who have 40 plus years of repair experience. &amp;nbsp;No wonder folks from all over send their instruments to London, in Lincoln, NE. &amp;nbsp;Thanks Linda. &amp;nbsp;BRUCE&lt;/p&gt;
</description>
<pubDate>Wed, 8 Feb 2012 13:07:33 CST</pubDate>

</item><item>
<title>Custom Orders?</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26351</link>
<description>&lt;p&gt;
	Who has a new guitar on order? I just saw pictures of Liz Williams&amp;#39; beautiful&amp;nbsp;new Bear Creek hollowneck, and I am curious to know what else is being built. I know there are a few Hooks in the works as well as at least one of Tom&amp;#39;s Appalachians.&lt;/p&gt;
&lt;p&gt;
	Z.I.&lt;/p&gt;
</description>
<pubDate>Wed, 8 Feb 2012 08:49:12 CST</pubDate>

</item><item>
<title>30's Cyclops info needed.</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26328</link>
<description>&lt;p&gt;
	Hi all,&amp;nbsp;kind of a newbie&amp;nbsp;here but not to&amp;nbsp;the instrument world. Mostly a mando&amp;nbsp;builder ( 1 Dobro build&amp;nbsp;to replace&amp;nbsp;my Scheerhorn, a few Weissenborns &amp;amp;&amp;nbsp;guitars, etc..), but I&amp;nbsp;just scored an&amp;nbsp;old&amp;nbsp;Cyclops &amp;amp; have a few questions. I&amp;#39;ll post a video later this eve. It&amp;#39;s black&amp;nbsp;&amp;amp; I&amp;#39;m wondering if it was re-colored/ and or if&amp;nbsp;I should consider some sort of re-finish.&amp;nbsp;Did they&amp;nbsp;make any all black ? Pretty sure&amp;nbsp;it&amp;#39;s the real deal, has 4-&amp;nbsp;holes in the peak of the cone. Surprisingly heavy as well. I&amp;#39;ve played a few 30&amp;#39;s -&amp;nbsp;40&amp;#39;s Dobros&amp;nbsp;that were&amp;nbsp;considerably lighter. The bigger question would be: there are&amp;nbsp;also 7&amp;nbsp;divots on either side of the top; something decorative mounted there ?&amp;nbsp; and 4&amp;nbsp;divots&amp;nbsp;in a diamond pattern with 1&amp;nbsp;larger divot in the middle&amp;nbsp;of the headstock, which I imagine was for some sort of logo mounting ? Lastly, the spider&amp;nbsp;seems to&amp;nbsp;be sitting&amp;nbsp;on the inside&amp;nbsp;lip&amp;nbsp;of the&amp;nbsp;cone, like it could have been a bit wider to rest upon the outside&amp;nbsp;edge. May just be the original design.&amp;nbsp;If the cone&amp;#39;s toast,&amp;nbsp;I&amp;#39;ll likely be getting a&amp;nbsp;new spider&amp;nbsp;&amp;amp; cone ( if it&amp;#39;s a standard size)&amp;nbsp;. Used the Beard stuff off&amp;nbsp;Stew-Mac a few&amp;nbsp;years back when I finished my&amp;nbsp;dobro&amp;nbsp;build &amp;amp; am very happy&amp;nbsp;with it. Seems Quarterman&amp;#39;s are done&amp;nbsp;( no?) Any new latest greatest spider/cones makes I should be aware of&amp;nbsp;?&lt;/p&gt;
&lt;p&gt;
	Thanks in advance&amp;nbsp;&amp;amp; I&amp;#39;ll get a vid up this eve&amp;nbsp;or tomorrow.&lt;/p&gt;
&lt;p&gt;
	Oh&amp;nbsp;yeah, came from an antique store CL posting simply entitled &amp;quot; Unique Instruments&amp;quot;&amp;nbsp;, half assed pic here&amp;nbsp;:&lt;/p&gt;
&lt;p&gt;
	&lt;a href=&quot;http://denver.craigslist.org/msg/2827355330.html&quot;&gt;http://denver.craigslist.org/msg/2827355330.html&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;
	Just goes to show you gotta&amp;nbsp;check&amp;nbsp;out the odball listings&amp;nbsp;! Won&amp;#39;t even say&amp;nbsp;what I stole&amp;nbsp;it for, but the new strings their guitar guy installed were running OVER the coverplate.&amp;nbsp;&amp;nbsp;Stick&amp;nbsp;shoved in where the nut used to be. They told me it was &amp;#39;home made&amp;#39;.&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
</description>
<pubDate>Tue, 7 Feb 2012 13:49:40 CST</pubDate>

</item><item>
<title>Buzzing problem</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26317</link>
<description>&lt;p&gt;
	Last week I had just bought my first square neck dobro off of ebay. &amp;nbsp;The lady assured me that there was no buzzing, but if that was the case I wouldn&amp;#39;t be posting. &amp;nbsp;It is a 1976 squareneck dobro. &amp;nbsp;I brought it to a local shop and the guy turned the spider slightly clockwise and that got rid of the one horrible rattling overtone. &amp;nbsp;However now I have a slight buzz on certain strings. &amp;nbsp;When I apply slight downward pressure on the spider it is as quiet as can be. &amp;nbsp;Does anybody have any suggestions? &amp;nbsp;I thought about wedging some foam in between the spider and the cover, but wasn&amp;#39;t sure if there was another solution. &amp;nbsp;Any help would be great. &amp;nbsp;Thanks&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	pat lyons&lt;/p&gt;
</description>
<pubDate>Mon, 6 Feb 2012 22:34:53 CST</pubDate>

</item><item>
<title>Damping cone.</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26268</link>
<description>&lt;p&gt;
	Some where someone had inserted pieces of cloth under spider legs. Assume to help damp cone or cure a rattle.&lt;/p&gt;
&lt;p&gt;
	Would green felt, adhesive backed, work the same.&lt;/p&gt;
</description>
<pubDate>Sat, 4 Feb 2012 16:03:24 CST</pubDate>

</item><item>
<title>Wire a humbucker to a piezo preamp?</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26248</link>
<description>&lt;p&gt;
	I&amp;#39;m making a new slide guitar. Got a piezo system. Got a humbucker. I want to use the bucker for the pickup, and I don&amp;#39;t want to buy a set of electronics if I can wire it to the preamp system.&lt;/p&gt;
&lt;p&gt;
	Will it work? Anyone have experience?&lt;/p&gt;
</description>
<pubDate>Sat, 4 Feb 2012 03:24:02 CST</pubDate>

</item><item>
<title>Timber harvest time</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26214</link>
<description>&lt;p&gt;
	&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I have&amp;nbsp;recently been dwelling on the various&amp;nbsp;properties of wood&amp;nbsp;and the specifics of bark holding on to&amp;nbsp;wood was a subject of interest.&amp;nbsp; If a tree is cut in the winter while it is dormant, the bark has a natural tendency to hold on tight to the log and&amp;nbsp;you fight every inch trying to peel it off.&amp;nbsp;&amp;nbsp;On the other hand, a&amp;nbsp;tree cut in the spring&amp;nbsp;while the sap is rising&amp;nbsp;is loosening up, and after a&amp;nbsp;period of seasoning, the bark literally falls off the logs.&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;The heartwood&amp;nbsp;doesn&amp;#39;t move much if at all, and the&amp;nbsp;diameter expansion happens&amp;nbsp;at the&amp;nbsp;outer edges so it&amp;nbsp;only makes sense for&amp;nbsp;this area to get a little more pliable in the&amp;nbsp;growing season.&amp;nbsp;&amp;nbsp;What really happens on the inside&amp;nbsp;in various seasons though.&amp;nbsp;&amp;nbsp;There may be very little difference&amp;nbsp;in the heartwood at different times of the year but I suspect differently,&amp;nbsp;&amp;nbsp;The heartwood&amp;nbsp;is continually expanding and what was once sapwood&amp;nbsp;turns into heartwood so change is happening.&amp;nbsp;&amp;nbsp;There has to be some difference in trees cut down in&amp;nbsp;different times of the&amp;nbsp;year.&amp;nbsp; To my mind, I would think that&amp;nbsp;a winter cut log&amp;nbsp;would be&amp;nbsp;&amp;quot;tighter&amp;quot; and possibly a better choice for instrument wood.&amp;nbsp; The tree is&amp;nbsp;snugging itself in to ride out the inclement weather with&amp;nbsp;less sunlight,&amp;nbsp;snow and ice storms,&amp;nbsp;etc.&amp;nbsp; Any other&amp;nbsp;thoughts on this would&amp;nbsp;be appreciated.&lt;/p&gt;
</description>
<pubDate>Thu, 2 Feb 2012 07:01:11 CST</pubDate>

</item><item>
<title>spider bridge walls</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26146</link>
<description>Hi there. Quick question - on one of my (admittedly cheap) spiders, one bridge wall is thicker than the other. Is this down to its cheapness, or a design feature? And would it really matter if the thicker wall was at the front or back? If a pic is needed, let me know. Cheers, TT</description>
<pubDate>Mon, 30 Jan 2012 06:47:34 CST</pubDate>

</item><item>
<title>Inside my Beard</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26140</link>
<description>&lt;p&gt;
	My guitar that is..&amp;nbsp;Just thought I&amp;#39;d&amp;nbsp;post some&amp;nbsp;pics of the inside of my Paul Beard, I know sometimes&amp;nbsp;there&amp;#39;s questions about building and &amp;#39;how to&amp;#39; and stuff. I only had an old&amp;nbsp;Johnson roundneck apart before this,&amp;nbsp;so I was kind of curious as well.&amp;nbsp; I hope&amp;nbsp;this helps somebody out with their process.&lt;img alt=&quot;&quot; src=&quot;http://i199.photobucket.com/albums/aa312/00amunet00/GOPR0333.jpg&quot; style=&quot;width: 584px; height: 778px&quot; /&gt;&lt;img alt=&quot;&quot; src=&quot;http://i199.photobucket.com/albums/aa312/00amunet00/GOPR0331.jpg&quot; /&gt;&lt;/p&gt;
</description>
<pubDate>Sun, 29 Jan 2012 16:35:21 CST</pubDate>

</item><item>
<title>Cone and Bridge Upgrades</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26135</link>
<description>&lt;p&gt;
	Is there a significant change in tone&amp;nbsp;in one cone vs. another?&amp;nbsp; Beard vs. Scheerhorn, etc.?&lt;/p&gt;
&lt;p&gt;
	Thinking about upgrading the cone and&amp;nbsp;bridge insert in my&amp;nbsp;Gibson&amp;nbsp;Dobro&amp;nbsp;(1999).&lt;/p&gt;
&lt;p&gt;
	I assume harder bridge materials transfer the vibrations&amp;nbsp;to the cone more efficiently?&amp;nbsp; Has anyone played around with materials other than ebony and maple?&amp;nbsp;&amp;nbsp;Thinking of&amp;nbsp;micarta,&amp;nbsp;hickory, bakelite, etc.&amp;nbsp;&lt;/p&gt;
</description>
<pubDate>Sun, 29 Jan 2012 12:31:23 CST</pubDate>

</item><item>
<title>What upgrades to do on Rogue Triolian Biscuit cone</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26104</link>
<description>&lt;p&gt;
	Hi, I just ordered a Rogue triolain biscuit cone roundneck&amp;nbsp; resonator guitar from MF and hopefully I will get next week , but I am wondering what upgrades can I do to make it better. The cone is 91/2, and I think the nut is some kind plastic, the bridge is hard maple biscuit bridge. Thanks.&lt;/p&gt;
</description>
<pubDate>Fri, 27 Jan 2012 12:51:43 CST</pubDate>

</item><item>
<title>Tuning Round Neck to GBDGBD</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26079</link>
<description>&lt;p&gt;
	I have a Gibson Dobro&amp;nbsp;DM33&amp;nbsp;round neck that I have been playing lap style with an extension nut. &amp;nbsp;I have been playing mostly open D or open G, which is fine for my old bottle neck repertoire, but there is a ton of material available for high G (GBDGBD) tuning. &amp;nbsp;Can my round neck tolerate the extra strain on the 5 and 6 string? &amp;nbsp;Even if I back off to 12-50 acoustic strings?&lt;/p&gt;
</description>
<pubDate>Thu, 26 Jan 2012 14:09:26 CST</pubDate>

</item><item>
<title>Tim Scheerhorn contact info</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26042</link>
<description>&lt;p&gt;
	Does anyone have&amp;nbsp;a current contact&amp;nbsp;number for Tim Scheerhorn.&amp;nbsp;&amp;nbsp; Has&amp;nbsp;he moved back to Michigan?&lt;/p&gt;
&lt;p&gt;
	thanks&lt;/p&gt;
&lt;p&gt;
	Kelly&lt;/p&gt;
</description>
<pubDate>Tue, 24 Jan 2012 09:29:07 CST</pubDate>

</item><item>
<title>Just Another Newb Looking For Help....</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26038</link>
<description>&lt;p&gt;
	I have heard of people for sometime taking out and replacing cones on their resonator guitars and getting superior ones, but i cant figure out how to remove mine!!! It seems to be stuck to the back of my guitar (i have a roundneck regal RD-40) and it wont budge, wont turn move up or down or anything. I know there is a way to take it out, but how!?&lt;/p&gt;
</description>
<pubDate>Tue, 24 Jan 2012 05:58:30 CST</pubDate>

</item><item>
<title>Hot rodding resonator guitars( roundneck)</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/26021</link>
<description>&lt;p&gt;
	Hi, I asked the last question on round neck resonators, and I may go with Goldtone PB deluxe round neck. But I have seen people hot roddng their resonator guitars ,and I am wondering if one can hot rod the Goldtone&amp;nbsp;reso. guitars. But before that what is hot rodding anyway. Thanks.&lt;/p&gt;
</description>
<pubDate>Sun, 22 Jan 2012 16:15:19 CST</pubDate>

</item><item>
<title>Best place for dobro setup in MA</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25970</link>
<description>&lt;p&gt;
	Hey everyone! I&amp;#39;m new to the site.&amp;nbsp;Sorry if anything like&amp;nbsp;this has been posted before.&amp;nbsp; I tried&amp;nbsp;searching and didn&amp;#39;t have&amp;nbsp;any luck.&amp;nbsp;&amp;nbsp;I have a&amp;nbsp;Dobro&amp;nbsp;Hound Dog Deluxe Squareneckand&amp;nbsp;I made the mistake&amp;nbsp;of trying to&amp;nbsp;set it up myself. I&amp;#39;ve done lots of guitar work over my 12 years of playing so i figured&amp;nbsp;with that and the internet&amp;nbsp;I could do an ok job. Boy was I wrong haha as you could&amp;nbsp;imagine.&amp;nbsp; I was wondering if anyone out there knows of&amp;nbsp;any good&amp;nbsp;luthiers or repair&amp;nbsp;shops in Massachusetts(or somewhere close, Rhode Island or&amp;nbsp;New Hampshire?)&amp;nbsp;that do&amp;nbsp;a good set up.&amp;nbsp; Ideally I&amp;#39;d like to send it to Beard&amp;nbsp;or something like but&amp;nbsp;shipping alone&amp;nbsp;is probably over&amp;nbsp;$100&amp;nbsp;round trip and the setup, although I&amp;#39;m sure it&amp;#39;s worth it,&amp;nbsp;is $200.&amp;nbsp;&amp;nbsp;Not really in my budget.&amp;nbsp; Also, if anyone knows of any good sites that really spell out how to do a good home setup,&amp;nbsp;i&amp;nbsp;wouldn&amp;#39;t mind looking at it and&amp;nbsp;maybe giving it a second try.&amp;nbsp;&amp;nbsp;Any help would be greatly appreciated.&lt;/p&gt;
&lt;p&gt;
	Also,&amp;nbsp;I think I may&amp;nbsp;need a new cone, I notice&amp;nbsp;a weird dent&amp;nbsp;last time I looked&amp;nbsp;at it.&amp;nbsp; Any suggestions? thanks very much !!&lt;/p&gt;
</description>
<pubDate>Fri, 20 Jan 2012 09:19:25 CST</pubDate>

</item><item>
<title>60's Rickenbacker Lap Steel - parts question</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25945</link>
<description>&lt;p&gt;
	Hi helpful musicians,&lt;/p&gt;
&lt;p&gt;
	I just picked up a 1960&amp;#39;s Rickenbacker&amp;nbsp;lap steel at a thrift store for $40, score! It needs some TLC and parts which is why I&amp;#39;m posting. Does anyone know where I can find a knob (tone), a headstock logo and just the plastic part of the tuners which literally disintegrated and turned to dust in my hand when I tried tuning it?&lt;/p&gt;
&lt;p&gt;
	I&amp;#39;d love to find original parts but since I&amp;#39;m keeping this for myself I&amp;#39;d settle for after market...&lt;/p&gt;
&lt;p&gt;
	Your help would be greatly appreciated!&lt;/p&gt;
&lt;p&gt;
	Rock n&amp;#39; roll!&lt;/p&gt;
&lt;p&gt;
	Bret&lt;/p&gt;
</description>
<pubDate>Tue, 17 Jan 2012 17:39:20 CST</pubDate>

</item><item>
<title>new appalachian reso fromTom Warner</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25883</link>
<description>&lt;p&gt;
	Having a new build from Tom Warner here are the pic&amp;#39;s. Salvaged redwood top and claro walnut back and sides.&lt;/p&gt;
</description>
<pubDate>Sat, 14 Jan 2012 19:25:10 CST</pubDate>

</item><item>
<title>Charlie Collins has Passed Away</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25864</link>
<description>&lt;p&gt;
	With a Heavy Heart ,I just read of the passing of My Friend Charlie Collins&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	&lt;a href=&quot;http://www.springhillfh.com/obituary/user/show/template?id=58044#.TxGVnqyLkws.facebook&quot;&gt;http://www.springhillfh.com/obituary/user/show/template?id=58044#.TxGVnqyLkws.facebook&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
</description>
<pubDate>Sat, 14 Jan 2012 06:56:05 CST</pubDate>

</item><item>
<title>rectangular box dobro</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25851</link>
<description>&lt;p&gt;
	Another new build....a&amp;nbsp; square neck box dobro.&amp;nbsp; I missed that week in guitar school where you learn to make curvy wood guitar bodies.&amp;nbsp; Actually I never went at all.&amp;nbsp; I guess my theory is that volume is important and density of the wood used also....curvy shape, maybe not so much.&amp;nbsp; I don&amp;#39;t want to seem gloomy but building depression era box instruments right now seems appropriate and much simplified and less expensive to build.&amp;nbsp; I pieced the top and back from edge grain Bolivian Rosewood and appropriately box jointed the corners of this 3 3/4&amp;quot; x&amp;nbsp; 12&amp;quot; x 19&amp;quot; golden rectangle. The resonator parts are from Saga, the tuners are 21:1 Gotoh sealed units...very smooth and lately I have been using 16-56 Elixir strings. The pickup is a Lace square neck dobro sensor. I posted a video of Harry Manx doing a demo of this instrument with one of his tunes. The sound is good but the video lighting ..well ...its a little dark and looks mysterious...don&amp;#39;t strain your eyes. The wood finish is two coats of a tung oil sealer, hand rubbed. It protects the wood and is easy and inexpensive to repair at home&lt;/p&gt;
&lt;p&gt;
	I cut the three piece neck blank the full length of the instrument so there is no dowel joint or sliding v tenon in the neck assembly and thus, no glue line.&amp;nbsp; The neck transitions at the heel into a substantial rectangular dowel that is cut away under the cone.&lt;/p&gt;
&lt;p&gt;
	I reinforced the neck entry point with a Baltic Birch ply block and the tail end of the dowel works down against a notched push block. The instrument is held together with its own string tension and one tailpiece screw.&amp;nbsp; The consensus is that the sustain is improved with this&amp;nbsp; one length neck construction as there are no disruptions or damping of the neck vibrations that support the sustain of the notes. The neck width is a constant 2.5&amp;quot;&amp;nbsp; and the string spacing a constant 7/16&amp;quot; from nut to ebony bridge.&lt;/p&gt;
</description>
<pubDate>Fri, 13 Jan 2012 09:44:25 CST</pubDate>

</item><item>
<title>Question about offset spider</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25741</link>
<description>&lt;p&gt;
	I have a &amp;quot;Fullerton&amp;quot; brand round neck resonator with a spider bridge&amp;mdash;made in China. I bought it sight unseen for $99 some time ago just for playing slide and getting the resonator sound on one recording&amp;mdash;a purpose for which the guitar performed admirably. I figured that would be the end of it. Trouble is, I got hooked on the resonator sound, and especially the sound of &lt;strong&gt;that&lt;/strong&gt; guitar played fretted. Against all odds, it&amp;#39;s a great sounding guitar.&lt;/p&gt;
&lt;p&gt;
	Well, playing it fretted is a problem because the intonation just plain sucks. I finally couldn&amp;#39;t take it and bought myself a Gold Tone Paul Beard round neck cutaway, which is the second best sounding round neck wood resonator I&amp;#39;ve ever played (the first being a Beard resonator). But that junky old $99 Fullerton still sounds terrific, and I&amp;#39;d love to solve the intonation problem.&lt;/p&gt;
&lt;p&gt;
	The problem, specifically, is that the fretted notes get progressively sharper as I move up the neck from the nut toward the 12th fret...which I gather is a fairly common problem, especially for non-standard tunings that put the strings under greater tension than normal. Clearly, the mere act of fretting the strings is stretching them sharp.&lt;/p&gt;
&lt;p&gt;
	I figure I can mitigate it somewhat by lowering the action (through a combination of truss rod and saddle height adjustment...assuming I play exclusively fretted, with no slide). It seems reasonable that if the fretted strings don&amp;#39;t have to stretch as much, they won&amp;#39;t be as sharp. But I can only go so low without engendering fret buzz. And in any case, I don&amp;#39;t think lowering the action is going to be enough to fix the intonation, especially on the lower (wound) strings.&lt;/p&gt;
&lt;p&gt;
	There&amp;#39;s a bit of play in the location of the spider inside the cavity on top of the cone, and I&amp;#39;ve already shifted the spider back toward the tailpiece as far as it will go. It helped, but it&amp;#39;s still not enough. So, it looks like the next step is to try one of Paul Beard&amp;#39;s offset spiders.&lt;/p&gt;
&lt;p&gt;
	So, here&amp;#39;s my question to anyone who has any experience with the offset spider as a retrofit:&lt;/p&gt;
&lt;ul&gt;
	&lt;li&gt;
		Are there any special considerations I need to be aware of (I mean other than all the things that accompany the need to install a new pair of bridge inserts for the new spider)?&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;
	Yeah, I know...this probably seems like an awful lot of trouble for an El Cheapo $99 Beijing Special, especially when I&amp;#39;ve got the closest thing to pure nirvana in the Gold Tone. But the truth is that, for whatever reason, the El Cheapo guitar sounds incredibly good, and I don&amp;#39;t have much to lose by using it as its own lab rat to solve the intonation problem.&lt;/p&gt;
&lt;p&gt;
	Thanks!&lt;/p&gt;
</description>
<pubDate>Sat, 7 Jan 2012 16:09:42 CST</pubDate>

</item><item>
<title>lap slide hockey stick bass</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25683</link>
<description>&lt;p&gt;
	And now for something completely different!&amp;nbsp; I have just completed a Hockey stick lap bass for a client. I ended up making the hockey stick from standing grain eastern maple. The scale lengthy is 30&amp;quot; with a Lace square neck dobro sensor and intonation adjustable bridge/tail hold. Strings are Elixir .065, .035, .018, .016&amp;nbsp; for a F#F#C#F# tuning. The swing out stabilizers are concealed and then swing out to rest on the players legs for a steady, stable playing position. There is also a swing out finger rest. Tuners are Gotoh 18:1 The peghead and fretboard are Nigerian ebony.&amp;nbsp; And it fits in a rifle case. So it looks like a hockey stick and plays like a guitar and although its not a resonator, it sounds great.&lt;/p&gt;
</description>
<pubDate>Wed, 4 Jan 2012 16:22:50 CST</pubDate>

</item><item>
<title>Thinking About Pickups and Amplification</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25669</link>
<description>&lt;p&gt;
	I think the new pickup and pre-amp combinations made by Fishman are just as slick as owl grease, but those systems seem to take the string excitation of the pup and modify it to sound like a specific resonator (or guitar) micked with a certain model microphone in a specific way, at a specific distance, etc.&amp;nbsp; Am I just out of luck if the image folder doesn&amp;#39;t have my reso file with a suitable mic setup recorded in the resources folder?&amp;nbsp; If I wanted my Bell Brass Dobro to sound like a J-45, I would just play a J-45.&amp;nbsp; What if I just want it to sound like a louder DM33(g)?&amp;nbsp; What pup and pre-amp combo will accurately reproduce the sound of my reso and not force it to some other sampled guitar?&amp;nbsp; I know with the Spectrum you can zero out the image file component used to reproduce the tonal mix in the pre-amp, but is what&amp;#39;s left over the best reproduction of my guitar or would something else work better?&lt;/p&gt;
</description>
<pubDate>Tue, 3 Jan 2012 20:57:30 CST</pubDate>

</item><item>
<title>new alternate tuning!</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25644</link>
<description>&lt;p&gt;
	can anybody help me out? i want to tune the high 4 or 5 strings of my roundneck with medium gage strings to a banjo tuning, and the low 1 or 2 to a dobro tuning. this would be in pursuit of playing banjo style tunes on the treble strings with the low bassiness in the low strings. im looking for sort of a hybrid sound so fhe funkier sounding the better! thanks for your help!&lt;/p&gt;
</description>
<pubDate>Mon, 2 Jan 2012 18:22:34 CST</pubDate>

</item><item>
<title>Dick DeNeve</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25622</link>
<description>&lt;p&gt;
	&lt;span style=&quot;font-size: 16px&quot;&gt;This was just posted on Resoguit. Thought it would be of interest here also.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
&lt;div style=&quot;background-color: #fff; font-family: times new roman, new york, times, serif; color: #000; font-size: 12pt&quot;&gt;
	&lt;div style=&quot;right: auto&quot;&gt;
		It is with sadness, anger, and frustration that I announce I will no longer be able to transact any business at my home/shop, or make any deliveries to private individuals &lt;span style=&quot;color: #ff0000&quot;&gt;within New York State&lt;/span&gt;.&amp;nbsp; The&amp;nbsp;personal information&amp;nbsp;requirements and reporting requirements of the New York State Department of Taxation and Finance, effective Jan.1, 2012 are too onerous for a small part-timer like myself to tolerate.&amp;nbsp; (Like, they need to know my accountant&amp;#39;s&amp;nbsp;contact info and SSN;&amp;nbsp;ALL my bank account numbers and funds transfer info; I&amp;nbsp;would have to regularly check on line to see if there are any new rules for me to follow; I would have to pay a $50 application fee to be granted a certificate giving me the &amp;quot;privilege&amp;quot;&amp;nbsp;of being&amp;nbsp;an unpaid sales tax collector for them, etc.)&amp;nbsp;&amp;nbsp;&amp;nbsp;I have painfully decided that I&amp;#39;m too old and too small to put up with this kind of crap.&amp;nbsp; If&amp;nbsp;I would be required to collect a sales tax, I must decline the business.&lt;/div&gt;
	&lt;div style=&quot;right: auto&quot;&gt;
		&amp;nbsp;&lt;/div&gt;
	&lt;div style=&quot;right: auto&quot;&gt;
		&lt;span style=&quot;color: #ff0000&quot;&gt;Happily, this would not affect most of my customers, as well over 90% of them have been from out of state.&amp;nbsp; I will&amp;nbsp;gladly continue to serve past and future out-of-state customers through the mails, telephone, etc.&lt;/span&gt;&lt;/div&gt;
	&lt;div style=&quot;right: auto&quot;&gt;
		&amp;nbsp;&lt;/div&gt;
	&lt;div style=&quot;right: auto&quot;&gt;
		&amp;nbsp;I wanted my friends to know some of the ways businesses can be discouraged from continuing&amp;nbsp;in their home states.&amp;nbsp; Welcome to New York!&lt;/div&gt;
	&lt;div style=&quot;right: auto&quot;&gt;
		&amp;nbsp;&lt;/div&gt;
	&lt;div style=&quot;right: auto&quot;&gt;
		Think I&amp;#39;ll grab my reso and see how loud I can make it sound.&amp;nbsp; Grrrrr.&lt;/div&gt;
	&lt;div style=&quot;right: auto&quot;&gt;
		&amp;nbsp;&lt;/div&gt;
	&lt;div style=&quot;right: auto&quot;&gt;
		Dick DeNeve&lt;/div&gt;
&lt;/div&gt;
</description>
<pubDate>Sun, 1 Jan 2012 16:45:38 CST</pubDate>

</item><item>
<title>String gauges for roundneck resonator?</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25553</link>
<description>&lt;p&gt;
	Hello everyone! &amp;nbsp;I just ordered a roundneck resonator guitar (Recording King RR-50VS) and I want to play it in D or E tuning.&lt;/p&gt;
&lt;p&gt;
	Is it safe to use 0.16-0.56 (resonator G tuning) strings on it or is the tension too much to wood roundneck?&lt;/p&gt;
&lt;p&gt;
	If the tension is too much,which set of strings is recommended for D or E tuning,0.13?&lt;/p&gt;
&lt;p&gt;
	I use 0.16-0.56 set on my squareneck&amp;nbsp;with high G tuning but is it possible to use the same setup on wooden roundneck&amp;nbsp;without hurting the guitar?&lt;/p&gt;
&lt;p&gt;
	Thanks for your help!&lt;/p&gt;
&lt;p&gt;
	Subtone Sam&lt;/p&gt;
</description>
<pubDate>Thu, 29 Dec 2011 01:47:51 CST</pubDate>

</item><item>
<title>Under construction: the Tuxedo Junction solidbody resonator electric guitar</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25539</link>
<description>&lt;p&gt;
	This is my third solidbody&amp;nbsp;resonator electric guitar, and&amp;nbsp;it&amp;#39;s shaping&amp;nbsp;up to be my best yet.&amp;nbsp;&amp;nbsp;P90 neck pickup and piezo-equipped&amp;nbsp;biscuit cone.&amp;nbsp;&amp;nbsp;This conversion started out as an&amp;nbsp;Epiphone&amp;nbsp;Les Paul&amp;nbsp;Junior.&amp;nbsp;&amp;nbsp;&lt;br /&gt;
	&lt;br /&gt;
	&lt;img alt=&quot;&quot; src=&quot;http://www.hangoutstorage.com/resohangout.com/storage/photos/large/10/10677-12255628122011.jpg&quot; /&gt;&lt;/p&gt;
</description>
<pubDate>Wed, 28 Dec 2011 07:02:38 CST</pubDate>

</item><item>
<title>Midi pickup for lap steel</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25537</link>
<description>&lt;p&gt;
	Has anyone ever had experience with installing or using&amp;nbsp;a lap steel with a midi pickup? a piezo pickup? I am wondering how well that would work.&lt;/p&gt;
</description>
<pubDate>Wed, 28 Dec 2011 05:46:02 CST</pubDate>

</item><item>
<title>What year was my dobro made? need help!</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25509</link>
<description>&lt;p&gt;
	I have a d-60 model Dobro with serial #&amp;nbsp; F5 303 91 D stamped on the end of the headstock. I was wondering if anybody on the hangout knows how to decipher the numbers and tell me what&amp;nbsp; year it was made. Thanks in advance for any help at all.&lt;/p&gt;
&lt;p&gt;
	Brian&lt;/p&gt;
</description>
<pubDate>Mon, 26 Dec 2011 11:13:50 CST</pubDate>

</item><item>
<title>Fishman aura jerry douglas signature and pickup</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25502</link>
<description>&lt;p&gt;
	My wife gave me the new Fishman&amp;nbsp;aura-box as a Christmas present .... Boy, was I happy, until I tryed it out ;-(&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	I have the old Fishman&amp;nbsp;pickup mounted. You know: The one mounted on the cone. Is that the reason why it dont seam to work properly? &amp;nbsp;Do I have to buy the new Fishman&amp;nbsp;undersaddle&amp;nbsp;Pickup too?&lt;/p&gt;
&lt;p&gt;
	-Axel&lt;/p&gt;
</description>
<pubDate>Sun, 25 Dec 2011 22:57:18 CST</pubDate>

</item><item>
<title>Odyssey Baffle</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25498</link>
<description>&lt;p&gt;
	I finally got around to posting a pic of the&amp;nbsp;baffle&amp;nbsp;that&amp;nbsp;Beard installed&amp;nbsp;in my&amp;nbsp;Odyssey.&lt;/p&gt;
&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;http://www.hangoutstorage.com/resohangout.com/storage/photos/large/29/2975-149581725122011.jpg&quot; /&gt;&lt;/p&gt;
</description>
<pubDate>Sun, 25 Dec 2011 18:07:03 CST</pubDate>

</item><item>
<title>Strings and setup question - noob alert :-)</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25463</link>
<description>&lt;p&gt;
	Hi,&lt;/p&gt;
&lt;p&gt;
	I&amp;acute;m glad I found this nice little site, coz my first Dobro Hound Dog Round Neck Deluxe arrived today and I&amp;acute;m curious about the setup.&lt;/p&gt;
&lt;p&gt;
	I tuned the strings to what I thought, sounded quite nice in my ears (no machine plugged in). I later plugged in a tuner and was dissapointed: when I got in tune, the reso sound was nearly gone, it sounded like any other steel strung guitar. I dropped the tuning for about 2 semitones (actual it&amp;acute;s: d g C F A d from low to high string) and it sounded really good.&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;Now here&amp;acute;s the question: Is it the right way, to play the guitar with dropped tuning, or is it possible to tweak the reso, when played / tuned in standard tuning? It&amp;acute;ll make it easier playing together... :-)&lt;/p&gt;
&lt;p&gt;
	btw, have a nice Xmas everybody!&lt;/p&gt;
&lt;p&gt;
	tia, regards&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
</description>
<pubDate>Fri, 23 Dec 2011 12:09:17 CST</pubDate>

</item><item>
<title>roundneck newbie</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25415</link>
<description>&lt;p&gt;
	What are your recommendations as far as string brands&amp;nbsp;for a&amp;nbsp;Regal rd40 v roundneck&amp;nbsp;?&amp;nbsp;I&amp;#39;m looking&amp;nbsp;to play mostly&amp;nbsp;finger&amp;nbsp;picking.&lt;/p&gt;
</description>
<pubDate>Tue, 20 Dec 2011 13:57:48 CST</pubDate>

</item><item>
<title>martin strings</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25414</link>
<description>&lt;p&gt;
	so i re-strung my baby today with some martin phosphor bronze&amp;nbsp;medium gage strings. i instantly heard a difference and they sound quite good to me. what do you all think of these strings? did i do good?&lt;/p&gt;
</description>
<pubDate>Tue, 20 Dec 2011 13:30:37 CST</pubDate>

</item><item>
<title>Reso Cases</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25379</link>
<description>&lt;p&gt;
	Hello,&lt;/p&gt;
&lt;p&gt;
	The original case with my 1974 OMI dobro is missing the handle and is&amp;nbsp;worn out.&amp;nbsp;Recently, I needed&amp;nbsp;to get a different case to replace this&amp;nbsp;without spending&amp;nbsp;over a limit of&amp;nbsp;$100.&amp;nbsp;I have just started working again and have&amp;nbsp;other priorities.&amp;nbsp;I am&amp;nbsp;tired of carrying the&amp;nbsp;instrument on my&amp;nbsp;shoulder with the&amp;nbsp;accessories rattling around&amp;nbsp;in the case.&amp;nbsp;So,&amp;nbsp;my quest was on.&lt;/p&gt;
&lt;p&gt;
	An&amp;nbsp;under&amp;nbsp;$100 case&amp;nbsp;was what I was looking for.&amp;nbsp;When I went&amp;nbsp;looking, I&amp;nbsp;did not find many&amp;nbsp;hard shell cases for&amp;nbsp;the price I needed to match.&amp;nbsp;When I looked at&amp;nbsp;Amazon,&amp;nbsp;the case @ price&amp;nbsp;selection was better.&amp;nbsp;Amazon is&amp;nbsp;a great place to&amp;nbsp;get&amp;nbsp;good deals on some things.&amp;nbsp;However,&amp;nbsp;the cases being&amp;nbsp;sold were for&amp;nbsp;Round neck instruments.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	One&amp;nbsp;model stated that&amp;nbsp;the GoldGate&amp;nbsp;model CP-1512 claimed to be&amp;nbsp;Dobro/Reso ready. The images&amp;nbsp;did not show&amp;nbsp;the neck rest&amp;nbsp;well&amp;nbsp;with&amp;nbsp;the Zoom. Even with the&amp;nbsp;magnify button with an MS&amp;nbsp;mouse or&amp;nbsp;with IPAD did not&amp;nbsp;help me&amp;nbsp;see any better&amp;nbsp;details like the heel cut. The dimensions&amp;nbsp;and&amp;nbsp;the construction&amp;nbsp;looked good. So, it was purchased.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	When I received it, the case was for a&amp;nbsp;round neck&amp;nbsp;guitar.&amp;nbsp;In addition, body molding&amp;nbsp;was&amp;nbsp;not compatible with any guitar including&amp;nbsp;the OMI with modification. This was&amp;nbsp;a&amp;nbsp;final purchase, no returns.&amp;nbsp;I had&amp;nbsp;a case&amp;nbsp;but not one guitar would fit it.&amp;nbsp;Upon&amp;nbsp;inspection, I&amp;nbsp;had an option.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	One&amp;nbsp;redeeming&amp;nbsp;quality was&amp;nbsp;that&amp;nbsp;the interior molding was Styrofoam.&amp;nbsp;Using a&amp;nbsp;cloth&amp;nbsp;chalk and&amp;nbsp;my&amp;nbsp;Xacto&amp;nbsp;kit, I modified the&amp;nbsp;body to&amp;nbsp;accommodate&amp;nbsp;the square neck&amp;nbsp;and recovered&amp;nbsp;the&amp;nbsp;cut molding.&amp;nbsp;The&amp;nbsp;instrument is now&amp;nbsp;secured and I have&amp;nbsp;a &amp;quot;custom&amp;quot;&amp;nbsp;fit&amp;nbsp;case.&amp;nbsp;This model is much bulkier&amp;nbsp;then the original.&amp;nbsp;But, I now can use a handle.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	Square neck&amp;nbsp;reso&amp;#39;s must&amp;nbsp;be difficult to find cases&amp;nbsp;to fit.&amp;nbsp;Of the&amp;nbsp;two&amp;nbsp;guitars&amp;nbsp;I have,&amp;nbsp;a replacement case seems easy.&amp;nbsp;But, reso&amp;#39;s&amp;nbsp;seem hard&amp;nbsp;to find&amp;nbsp;unless&amp;nbsp;over&amp;nbsp;$100 must be spent.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	Sincerely,&lt;/p&gt;
&lt;p&gt;
	AradoReso,&lt;/p&gt;
&lt;p&gt;
	John&lt;/p&gt;
</description>
<pubDate>Sun, 18 Dec 2011 21:25:29 CST</pubDate>

</item><item>
<title>Raised Nut on a Resophonic? (Pros and Cons)</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25356</link>
<description>&lt;p&gt;
	Hey Yall,&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	I have been playing my resophonic like a dobro for a month or two because the intonation just isn&amp;#39;t really that great in some spots. One of my friends mentioned that I could just get a raised nut to put on top the old one and kaboom, it would play more like a Dobro. I really dig the idea and have played the guitar he has set up like this, and it sounds pretty good. Has anyone on here done this? And if so, got any pros and cons of the process or things I should watch out for?&lt;/p&gt;
</description>
<pubDate>Sat, 17 Dec 2011 12:38:22 CST</pubDate>

</item><item>
<title>hawaian tuning</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25340</link>
<description>&lt;p&gt;
	I want to learn how to&amp;nbsp;play more hawaian style&amp;nbsp;on my dobro&amp;nbsp;and six string lapsteel.&amp;nbsp; I thinking about&amp;nbsp;players like&amp;nbsp;Sol Hoopi and&amp;nbsp;Ray Kinney.&amp;nbsp;HOw did&amp;nbsp;they tune their instruments.&amp;nbsp;Anyone&amp;nbsp;have any suggestions?&lt;/p&gt;
</description>
<pubDate>Sat, 17 Dec 2011 03:35:45 CST</pubDate>

</item><item>
<title>Weissenborn wood source</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25338</link>
<description>Hi
Anybody know of a source for weissenborn wood sets in the US? Seems like the only thing I can find is in Australia.
Not really looking for any koa, some more common woods.

Thx,
Steve
</description>
<pubDate>Fri, 16 Dec 2011 18:12:45 CST</pubDate>

</item><item>
<title>loose bracing?</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25308</link>
<description>&lt;p&gt;
	Hi everybody!&lt;/p&gt;
&lt;p&gt;
	When i press gently on the bottom of my dobro (or when I simply place it in my lap) I can hear a klicking sound from the guitar. My first thought was that the bracing might be loose somewhere in the bottom. Do you think that might be the case? It is an almost new Beard E model with an arched back.&lt;/p&gt;
&lt;p&gt;
	All help is very appreciated.&lt;/p&gt;
&lt;p&gt;
	//Daniel&lt;/p&gt;
</description>
<pubDate>Thu, 15 Dec 2011 01:04:48 CST</pubDate>

</item><item>
<title>replacing republic neck</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25300</link>
<description>&lt;p&gt;
	As the&amp;nbsp;title said, I would like to replace the nec.&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;I have a republic&amp;nbsp;brass body guitar, it has a&amp;nbsp;mahogany round neck&amp;nbsp;neck and&amp;nbsp;I was thinking&amp;nbsp;I would&amp;nbsp;like to replace it with something&amp;nbsp;a little nicer/better. I am at the buy a blank&amp;nbsp;or make a blank and buy/make the fret board stage, but do not know what&amp;nbsp;would be best. The present&amp;nbsp;neck is mahogany. Any suggestions as to what wood to use, maple would&amp;nbsp;look good but&amp;nbsp;do you think&amp;nbsp;it would sound right.&amp;nbsp;When I look at the fret board it is looking&amp;nbsp;quite flat, as in not much radius to it. I like&amp;nbsp;to play slide so I&amp;nbsp;am thinking rather flat is&amp;nbsp;good but, could be wrong about this. The neck is fine it is mostly&amp;nbsp;a urge to mess with the thing and make something.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;So any direction would be nice, neck and fret&amp;nbsp;board, wood type&amp;nbsp;radius&amp;nbsp;tuners,&amp;nbsp;the ones on it are not great willing to up grade.&amp;nbsp; Thanks all, Ron.&amp;nbsp;&lt;/p&gt;
</description>
<pubDate>Wed, 14 Dec 2011 11:40:56 CST</pubDate>

</item><item>
<title>national cones... worth it?</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25284</link>
<description>&lt;p&gt;
	not that i have the money or plan on buying them soon, but is buying a national tricone set for my republic tricone worth the 130 bucks its priced at on elderly? also would it be doable for me to install them myself?&lt;/p&gt;
</description>
<pubDate>Tue, 13 Dec 2011 17:56:28 CST</pubDate>

</item><item>
<title>Converting a roundneck for bluegrass style</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25264</link>
<description>&lt;p&gt;
	Hey all.&amp;nbsp; I&amp;rsquo;m a member of the FPHO and MHO but this is my first time posting here.&amp;nbsp; I&amp;rsquo;m planning to convert a roundneck for bluegrass style dobro playing.&amp;nbsp; This is hopefully temporary &amp;ndash; my son wants to learn dobro, but we don&amp;rsquo;t have the funds for a new instrument right now, so my dad offered to loan us his roundneck and we&amp;rsquo;re going to see what we can do with it.&amp;nbsp; Any recommendation/advice/warnings you guys could share about doing this?&lt;/p&gt;
&lt;p&gt;
	I don&amp;#39;t&amp;nbsp;have the&amp;nbsp;roundneck yet, hoping to spend&amp;nbsp;some time with it this week if possible...so I may not be able to answer specific questions about&amp;nbsp;the&amp;nbsp;brand, type of bridge/cone, etc.&lt;/p&gt;
&lt;p&gt;
	Thanks!&lt;/p&gt;
&lt;p&gt;
	Jesse&lt;/p&gt;
</description>
<pubDate>Mon, 12 Dec 2011 07:56:22 CST</pubDate>

</item><item>
<title>Conversion from square neck to Spanish</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25254</link>
<description>&lt;p&gt;
	About 6 years ago I purchased a Johnson squareneck Tri-cone knock-off. Being the obsessive person that I am, I replaced the cones with Nationals. I also put in new machines since the originals were awful. It is a great sounding instrument now. The problem is that I don&amp;#39;t really ever play it. I want to convert it to a round-neck. I know that I have to replace the bridge insert and the nut. I was a violin maker for many years, so carving the neck is no problem for me. &amp;nbsp;My question is, are there any problems that I am not considering? Is there something that will not work if I re-carve the neck?&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	Thanks for your help.&lt;/p&gt;
</description>
<pubDate>Sun, 11 Dec 2011 18:53:29 CST</pubDate>

</item><item>
<title>Restringing Question</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25246</link>
<description>&lt;p&gt;
	I couldn&amp;#39;t find an answer using a search, so if this is a common question, please provide a pointer....&lt;/p&gt;
&lt;p&gt;
	When wrapping a new string around its post, do you wrap the string first then insert it into the hole? Or insert it into the hole, leave some slack, then wind tight?&lt;/p&gt;
&lt;p&gt;
	I&amp;#39;ve seen videos online using both techniques...any advantage to one or the other?&lt;/p&gt;
</description>
<pubDate>Sun, 11 Dec 2011 14:36:18 CST</pubDate>

</item><item>
<title>strings for roundneck tricone?</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25231</link>
<description>&lt;p&gt;
	so my guitar came and i love it, but i need to put new strings on it. any suggestions for what would be the best strings to put on my new guitar?&lt;/p&gt;
</description>
<pubDate>Sat, 10 Dec 2011 09:49:42 CST</pubDate>

</item><item>
<title>Attention Luthiers - Possible Project For You</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25226</link>
<description>&lt;p&gt;
	Here is the problem. &amp;nbsp;I have terrible nerve damage in my hands and wrists, and the muscles are atrophying rapidly. &amp;nbsp;For example, over the last three months I have lost 14 pounds grip strength in my left hand, and one pound in my right hand. &amp;nbsp;This has been the most rapid loss the Dr. has measured on anyone in a long time. &amp;nbsp;The prognosis is not good, but maybe the strengthening exercises I do will help keep the wolf at bay. &amp;nbsp;So far not so much.&lt;/p&gt;
&lt;p&gt;
	A few years ago I started tp concentrate on bottleneck playing because I have always been a blues stringer, and the slide style fit right in with my knowledge and skills. &amp;nbsp;Now I am having a hard time getting and keeping my left hand in the proper position for good playing and good tone. &amp;nbsp;I had been using a composite style with a flat pick in my right hand and a good fingernail on my birdie finger, and a slide on my left pinky for starters, but now shifted to my left hand ring finger. &amp;nbsp;I am finding my left index and birdie to be less and less useful for fretting strings, and I play almost everything with my slide, a heavy brass Robert Johnson on my left hand.&lt;/p&gt;
&lt;p&gt;
	I&amp;#39;ve begun to study some players stringing blues with a lap style resonator and a steel. &amp;nbsp;I think I can do this, and keep playing for a few more years, if I learn their styles and get similar equipment. &amp;nbsp;Here comes the prospective project. &amp;nbsp;My Gibson Dobro;ektric is off the table. &amp;nbsp;Neck is way too small to do a conversion to a square neck. &amp;nbsp;But I have a Gibson Dobro&amp;nbsp;DM33&amp;nbsp;bell brass resonator with a highly flamed curly maple round neck. &amp;nbsp;It too is a bottle neck and pickin&amp;#39; guitar, being only 1 7/8 - inches at the nut. &amp;nbsp;Gibson made these models in both round and square neck varieties, so I suspect this is just a parts bin guitar much like the Fender Stratocasters, Telecasters, and anything else doesn&amp;#39;t come from the custom shop. &amp;nbsp;It makes me feel like you should be able to order a new neck, do some fitting work, and screw thar&amp;nbsp;bad boy in place. &amp;nbsp;Then I should be able to handle GADGAD&amp;nbsp;tuning without worrying about about ruining the neck. &amp;nbsp;Alternatively, I could have a complete neck custom built. &amp;nbsp;The instrument is worth less than $2000. so spending anything near that would be foolish.&lt;/p&gt;
&lt;p&gt;
	So, there&amp;#39;s the project. &amp;nbsp;Can you convert this into a square neck for less than the worth of the guitar? &amp;nbsp;While we&amp;#39;re at it and the guts are on the operating table, could you install an active (on board pre amp) &amp;nbsp;Fishman&amp;nbsp;pickup on the resonator spider bridge that will work well with the Fishman&amp;nbsp;Aura Spectrum pedal? &amp;nbsp;It has a lot more flexibility than the Jerry Douglass, and way better feedback control, so I would like to go that way. &amp;nbsp;If you are a real magician, you could install a P90&amp;nbsp;magnetic soapbox pickup by the neck and blend them on board (kind of like my resolektric or a National.&lt;/p&gt;
&lt;p&gt;
	So, guestions for my honored experts: &amp;nbsp;Which if any of these things can you do? &amp;nbsp;Can you do it for a price that makes sense in light of the guitar&amp;#39;s value? &amp;nbsp;I have a luthier&amp;nbsp;up in Bloomingdale that can do it all, but I won&amp;#39;t see the instrument for a couple of years and for the price, it better come with a front door key because that&amp;#39;s where I&amp;#39;ll be sleeping for the rest of time. &amp;nbsp;Help?&lt;/p&gt;
&lt;p&gt;
	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;
	Kelly&lt;/p&gt;
</description>
<pubDate>Fri, 9 Dec 2011 21:24:53 CST</pubDate>

</item><item>
<title>Resonator Voices</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25180</link>
<description>&lt;p&gt;
	I tend to paint with a broad brush sometimes. &amp;nbsp;Having messed with a bunch of different resonators, I have concluded that the spider bridge instruments are louder and &amp;quot;sweeter&amp;quot; sounding than than the biscuit bridge instruments. &amp;nbsp;Biscuit bridge instruments tend to be quieter and have more of a barky, quacky voice than the spider instruments. &amp;nbsp;Am I close or totally out to lunch with my observations?&lt;/p&gt;
</description>
<pubDate>Tue, 6 Dec 2011 21:41:22 CST</pubDate>

</item><item>
<title>Can some tone woods crack easier than others?</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/25078</link>
<description>&lt;p&gt;
	Hello!&lt;/p&gt;
&lt;p&gt;
	I would like to know if some tone woods can take more &amp;quot;abuse&amp;quot; than others without cracking. I&amp;#39;m mostly talking about temperature changes but also other kinds of situations that could harm the instrument. Is a hard wood like maple more resistant or does it crack even easier than a soft wood like spruce? I&amp;acute;m referring to SOLID-woods only.&lt;/p&gt;
&lt;p&gt;
	It would be interesting if you could find it in your hearts to share your experience with me:)&lt;/p&gt;
&lt;p&gt;
	Thanks alot!&lt;/p&gt;
</description>
<pubDate>Thu, 1 Dec 2011 09:21:35 CST</pubDate>

</item><item>
<title>Dobro set up</title>
<author>eric@resohangout.com</author>
<link>http://www.resohangout.com/topic/24958</link>
<description>&lt;p&gt;
	What is the proper string height off the frets for a resonator that I play as a regular guitar, in other words no slide work and mostly flat picking rather than finger picking. My bridge is as low as it can be adjusted and I still have about 1/8&amp;quot; or more on the lower (on the neck) frets. It is hard for me to play with the arthritis in my old mechanics hands. Thanks.&lt;/p&gt;
</description>
<pubDate>Thu, 24 Nov 2011 04:44:11 CST</pubDate>

</item></channel>
</rss>
