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Pick Noise on the Weissenborn

From CaseyHunter on 6/29/2013 6:13:46 AM

Song: http://snd.sc/18mxw9F

This particular song is supposed to have a rhythmic drone on the upper string.  I noticed pretty quickly that the metal finger pick on the drone string really detracted with the metallic quack.  My first thought was that it was because I had too much Mic,  so I turned it off and just went with all Mag, but it still was really bad. 

So I am guessing it is related to technique and/or how I am wearing them.  I have shaped so they are hitting flat on the strings, but other than that not sure.  I have seen some members on here get some beautiful tone with the metal finger picks to the point there are not even noticeable to the listener. 

Any ideas?

Thanks,

~C

3 Comments

Aron says:
6/29/2013 7:56:23 AM

I don't use finger picks on my Weissy for just this reason but I did have more luck with celluloid finger picks. But for me metal finger picks don't bring out the earthy woody tones I like in a Weissy they're far more suited for what they were designed for ie dobros. Nice tune though even with the quacking :-)

CaseyHunter says:
6/29/2013 9:06:52 AM

I agree beamer boy, I usually don't like playing the Weissie with finger picks. However, I have really started to enjoy the tone and volume that comes from playing with them on heavier gauge strings. Here is an example of a different version of the same song without finger picks, to me there is a distinct difference with the clarity of the tone (excluding the quacking off course).

soundcloud.com/hollowneck/weis...j7-song-2


Thanks,

~C

Liz Williams says:
6/29/2013 9:36:37 AM

I like the tune! Each version has something to offer. Just last night I was pondering this question. Sometimes I get the quack, sometimes I don't. I've tried Propik fingertone picks, and they help a lot. Some players swear by them, but I couldn't figure out how to shape them to avoid a scraping sound, so I put them aside. Now I'm going frame-by-frame on the instructional videos I have,especially Cindy Cashdollar and Ivan Rosenberg, who's tone I especially love. The quack seems to happen when I go too deep between the strings, much like I used to when I played classical guitar. I'm beginning to think it's not just a matter of adding picks. My next step is to videotape my right hand and compare it to the instructional videos. That should be humbling.


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