DVD-quality lessons (including tabs/sheet music) available for immediate viewing on any device.
Take your playing to the next level with the help of a local or online resonator guitar teacher.
Monthly newsletter includes free lessons, favorite member content, resonator guitar news and more.
Hello All,
New member here. I was in another resophonic forum years ago but it seems to have disappeared. I like building useful stuff.
The project is inspired by a spider Rayco (maple) I heard at Wintergrass. So far, I have built a side bender insert for this project, selected a headstock design, and bought some neck reinforcement bars. I have made and tested some saddle blanks.
I'm thinking of using solid koa for a light weight spider resophonic scratch build for use at jams and meetups. The decision is based solely on the appearance of this wood. ALL pros, cons, and opinions welcome. I have access to just about any tonewood, so if there's some consensus about a certain wood or perhaps common recommendations for resophonics, I want to hear about them.
So far, I have built a side bender insert for this project, selected a headstock design, bought some neck wood, and bought some neck reinforcement bars. I have made and tested some saddle blanks. I am very likely to build without sound well after reading what I can find, looking at online designs, and listening to many resophonics.
Edited by - StringScrubber on 10/18/2026 16:33:24
Koa looks wonderful. Koa sounds great. Koa develops cracks very well in winter with the dry air and the heater going. If it's humid in Laguna Hills California USA, then I would say go for it. It is a wonderful wood. I won't use it because I live in the middle of the country where the winter is cold and dry. I keep all my Koa ukuleles in cases until early May when the humidity comes back and the heater gets shut off.
Apparently Tim Scheerhorn thought it was a good idea.
https://reverb.com/item/25410712-scheerhorn-l-body-resonator-beatiful-koa
quote:
Originally posted by SamCyApparently Tim Scheerhorn thought it was a good idea.
https://reverb.com/item/25410712-scheerhorn-l-body-resonator-beatiful-koa
That was the one that sold for a ridiculously cheap price that we missed out on after we heard about it.
quote:
Originally posted by MoooooKoa looks wonderful. Koa sounds great. Koa develops cracks very well in winter with the dry air and the heater going. If it's humid in Laguna Hills California USA, then I would say go for it. It is a wonderful wood. I won't use it because I live in the middle of the country where the winter is cold and dry. I keep all my Koa ukuleles in cases until early May when the humidity comes back and the heater gets shut off.
I've read a number of different things about which tonewood is the most "crack prone." I don't know that I would put koa at the top. I've heard that mahogany and rosewood are worse. Then you get on some other guitar related forum and it might be something else at the top.
As far as koa, some of the nicest reso guitars I have ever played and heard were made of this wood, from the likes of Tim Scheerhorn and Todd Clinesmith. A bunch of years ago we were at a Jerry Douglas Band concert here in Sonoma County, and the following day my wife and I were flying to Hawaii on vacation. Todd Clinesmith was at the show and he told me, and he was only half joking - "if you come across any nice koa over there let me know."![]()
I can't speak to ukes and how they survive Chicago winters, I'll leave that to Mooooo, but major flattop builders like Martin and Taylor make a lot of guitars out of koa. Spider bridge reso guitars typically use a slightly thicker cut of timber than what is used for flattops so I would think they they are less prone to cracking. .
As we've already determined, a koa guitar living in Laguna Beach (one of my favorite towns in California!) is a non factor. If I had the talent and patience to build a spider bridge resonator guitar, Hawaiian koa would be near the top of my list.
Nothing I can think of, plenty of 100+ year old Koa instruments out there in fine, playing condition, heck, I own a few. Only thing I would consider is a laminate if I could find a nice one, solid Koa guitar sets are incredibly expensive and for a resonator IMO not necessary, I'd leave it for a Weissenborn or Martin K build.
I have a lifetime supply of musical instrument grade koa, so I'll be OK there. Got some of it from Mats Fogelvik (Maui - 1996), some of it in Santa Barbara (2010 - a furniture set), and some of it from a giant old bookcase in Claremont, CA (2005). Just have to hunt around in my garage for the right pieces. I've used it for a couple of projects; it's just about my favorite wood.
I have a Koa Fishook that survived the Arizona humidity and heat with no issues. It is a great sounding ,balanced and , if you dig in, loud instrument.
JD built this with repurposed wood. The Koa was from an old Hotel in Hilo,Hawaii built in 1920 , that was torn down.
resohangout.com/forum/attachme...eID=40994
Barry...I also have a Fishook. It would be nice if JD would resume building. I think there's a place for his work. He had a couple guitars in the works many months ago, but I don't know if they were ever finished....Back to the subject, Brad. I also have a KOA guitar and it's one of my favorites. That's based upon the sound and not the fantastic appearance. Many resonator guitars as well as non-resonator such as the Weissenborns have been built from KOA. I think it's appropriate.
Edited by - docslyd on 10/30/2026 16:16:02
Terms of Use | Privacy Policy | Privacy Consent (EU/GDPR Only)
Copyright 2026 Reso Hangout. All Rights Reserved.