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My newest creation

Monday, July 30, 2012

 

The "Reso-knee" hybrid resonator/electric combo, serial # 2
Specifications: 
Cypress knee top and back
One piece Sapelle sides and headstock
Full sized quarterman cone, Beard spider bridge
Hand turned redblood cover
Redblood knobs and nut saddle
Hand tooled brass tailpiece and bridge cover
Fishman Nashville series spider bridge pickup
EMG 35-DC active in body pickup
2 separate 1/4" outputs (one per pickup) 
 
Ok folks, this is my newest creation, and it is absolutely crazy! I call it the Don't Fret Instruments Reso-knee. Surely one-of-a-kind!
This is a fully functional, beautiful sounding resonator guitar with all the bark and warmth of what you would expect from a high end reso,
coupled with the ability to blend nearly any electric sound you can think up using a super hot, active emg in-body pickup! There are several 
on-stage options that could be used with this instrument such as:
Pure acoustic reso (sounds beautiful unplugged or with a mic.)
Acoustic/Electric reso (using the Fishman Nashville series p/u only)
Pure electric (using the EMG only, for crystal clean to grungy overdrive power)
Acoustic/Electric blend (using both pickups and mixing effects, etc.)
I have used a loop station with this beauty and laid down a melodic bed using the reso sound from the Nashville series pickup, and then swelled 
in a huge overdrive sound and delay effect for screaming leads using the EMG. This is no ordinary reso!! I will be posting demo's soon on Youtube as well as my website, so stay tuned!
Check out the photo's on my page labeled reso-knee #2
Also, she's for sale in the classifieds! 
 
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NAMM, Here I come!

Sunday, May 20, 2012 Add Comment

Let me introduce myself.

Thursday, November 10, 2011 4 comments

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Don't Fret Instruments Reso-Knee Demo


Summer NAMM ཈ - Don't Fret Instruments Sipsey River Steel


Andrew Winton live in concert covers 'Nobody's Fault But Mine' - turn up your volume for th


Andrew Winton plays an instrumental, 'Violet's Peace', on his new double-neck lap steel


"Fire and Rain" James Taylor cover by Philip Dudley


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Andy Hall And His Reso-Knee Prototype


Andrew Winton introduces his unique new double-neck lap steel guitar

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www.dontfretinstruments.com

Playing Since: 1975
Experience Level: Expert/Professional

Interests:
[Socializing]

Occupation: luthier/builder

Gender: Male
Age: 58

My Instruments:
fretless and upright bass guitars, piano, drums, lap steel, reso, guitar

Favorite Bands/Musicians:
too many to count

Classified Rating: (0)
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Profile Info:
Visible to: Public
Created 11/10/2011
Last Visit 3/6/2013

As a kid, I was always looking for a piece of wood to whittle or drive a nail into. I was always tinkering and creating something, be it a birdhouse or a drum, a tree fort or a walking stick. I loved to experiment with wood, and that drive to create never ceased or even slowed as I grew older. I grew up in a musical family. My parents played nightclubs in the northeastern US for a living, so it was natural at some point for me to pick up an instrument. I began playing bass at 11, and when I was about 17, I heard Jaco Pastorius for the first time on the Heavy Weather Album. At the time, I was playing a 1963 pre CBS Fender P-bass. I noticed that Jaco had plucked the frets out of his fender, and decided that I wanted to learn to play fretless bass. I subsequently plucked the frets out of my bass, (If I had known what that bass would be worth today, I NEVER would have done It.) and being that hindsight is 2020, and because I did not have another bass, I was forced to learn what the word intonation really meant. After hacking on the thing for awhile, (I’m sure those around me were being more than kind for not giving up on me) I began to develop my own style. In the meantime, I got married to my wonderful wife, and began to raise a family. I never stopped playing, and to date, I have now been playing fretless bass for 30 years. I never lost the desire to create with wood, and because of the lack of quality fretless basses on the market, I began building my own instruments. What I began chiefly to satisfy myself has blossomed into a passion to build great fretless basses, in hopes that others will find as much pleasure playing them as I find building them. Now, concerning the Sipsey Steel, that was a complete accident. It all started in the summer of 2008. Me and my son threw the flat bottom boat in the back of my truck and decided to take a day trip to west Alabama. In our travels that day, we stopped at the Sipsey River and motored our way upstream. We were just out for a ride, and enjoying ourselves thoroughly. We came to an area where there were a lot of cypress trees, and a farmer had cut a path through a pile of cypress knees to allow his cows to reach the river to drink. I thought the knees looked pretty neat, and being who I am, figured that I could make something out of them later, so we threw a few in the boat. They laid around the shop for months, and I actually thought about throwing them out on several occasions. In the meantime, my brother kept asking me to build him a lap steel out of some walnut that I had in the shop, and on a whim, I decided to try and build one out of the cypress knees. The rest is history. My love for tinkering with wood coupled with my brother’s persistence to build him a lap steel, is responsible the Sipsey Steel. I love to build instruments. Unique instruments. Unique fretless instruments. It’s my passion.

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